Friday, September 2, 2022

Oz and the Musical: Performing the American Fairy Tale

 

Oz and the Musical: Performing the American Fairy Tale is now available for pre-order at Oxford University Press! The official publication date is December 2022, but orders will ship in late November.

In this book, I talk about how the musical makes Oz a participatory national utopian myth and how Oz contributes to the notion of the musical as an American art form.

The cover image is from photographer Carol Highsmith's America, which is curated by the Library of Congress. These ruby-slippered feet belong to Ashley Harkins, who plays Dorothy at the Land of Oz park in Beech Mountain, North Carolina.

You can learn more about the book on the Oxford website.

Friday, February 25, 2022

Mary Had a Little Lamb

Image result for denslow mary had a little lamb
First posted on October 11, 2018. 

"Mary Had a Little Lamb" is one of the first songs many English-speaking kids learn. The canonicity of the nursery rhyme is suggested by Thomas Edison's recitation of it on his first phonograph recording in 1877. It's the first "real" song many of us learned to play in music lessons.

The poem was published by Sarah Josepha Hale as part of a collection of children's verses in 1830. She had been encouraged to produce this volume by Lowell Mason, who led the founding of school music education in the United States. He was in search of material he could set to music for instruction, and he included "Mary's Lamb" in his Juvenile Lyre, Or, Hymns and Songs, Religious, Moral, and Cheerful, Set to Appropriate Music, For the Use of Primary and Common Schools. This songbook was used in Boston public schools and was probably the first such collection in the United States. Hale's verse is reportedly based on the true story of Massachusetts girl Mary Sawyer, who took her lamb to school and in whose honor the city of Sterling Massachusetts has erected a statue.

Image result for lowell mason mary had a little lamb
"Mary's Lamb," with music by Lowell Mason from the Juvenile Lyre, 1831,
Lowell's tune, which is in a somewhat pedantic style resembling that of early American church music, did not really catch on. The tune that is familiar to us today--more directly appealing, vernacular, simple, and folk-like--became attached to the words in 1868 when H.R. Waite borrowed it from the chorus of minstrel man E.P. Christy's "Goodnight Ladies" (the original words were "Merrily We Roll Along"). Like so many tunes that have become standards of the children's music repertoire, "Mary Had a Little Lamb" has roots in blackface minstrelsy. This tune is so simple as to read like an exposition of the building blocks of music. The melody is almost entirely confined to the first three notes of the scale (Do, Re, Mi, easy as One, Two, Three) except for a brief leap up to scale degree five at the end of the first phrase. Even this motion outlines the minor third characteristic of much children's music and the pentatonic scale considered natural to children's musical expression.










References

Boston Literary History

Pound, Gomer. "Mason's Hand in "Mary's Lamb"." The Bulletin of Historical Research in Music Education 7, no. 1 (1986): 23-27. http://www.jstor.org.proxy.libraries.rutgers.edu/stable/40214696.

Richards Free Library