In The Wizard of Oz: Musical Adaptations from Baum to MGM and Beyond, edited by Danielle Birkett and Dominic McHugh. Oxford University Press (2018).
"Love Is an Open Door": Repeating and Revising Disney’s Musical Tropes in Frozen.
In Contemporary Musical Film, edited by Beth Carroll and KevinDonnelly. University of Edinburgh Press (2017)
You Can’t Stop the Tweet: Convergence Culture and Networks of Participation in the Live Television Musical.
In Reimaginingthe Child: Proceedings of the 2016 Rutgers-Camden Graduate Student Conference in Childhood Studies, edited by Julian Burton and Katie Fredricks (2017).
Book Review of Shana Vey's Childhood and Nineteenth-Century American Theatre: The Work of the Marsh Troupe of Juvenile Actors
Beginning with Do Re Mi: Childhood and The Sound of Music.
In Broadway Babies: Children, Childhood and Musical Theater, edited by James Leve and Donelle Ruwe. Ashgate (Forthcoming).
“My Corner of the Sky": Adolescence and Coming of Age in the Musicals of Stephen Schwartz.
In The Routledge Companion to the American Stage Musical: 1970 and Beyond, edited by Jessica Sternfeld and Elizabeth Wollman. Routledge (Forthcoming).
In The SAGE Encyclopedia of Children and Childhood Studies, edited by Daniel Thomas Cook.
The Wizard of Oz on Screen.
In The Oxford Handbook of Children's Film, edited by Noel Brown. Oxford University Press.