Monday, April 12, 2021
Wednesday, March 31, 2021
In this episode of Barney and Friends, Mother Goose's book of nursery rhymes is eaten by a bookworm, so Barney and the kids help her remember all the rhymes while she writes them down again. In this scenario, the relationships among print literature for children, oral traditions, games, and material play become clear in the dynamics of the nursery rhyme. Although Mother Goose can't remember her rhymes, which she wrote so long ago, the kids know them from memory and repetition. As they recite the rhymes for Mother Goose, they sometimes say them and sometimes sing them. They act them out as well, incorporating toys, costumes, and other material effects, using a tea set for "Polly Put the Kettle On" and cat ears for "Three Little Kittens." They put together puzzles illustrating the rhymes while repeating them. These activities culminate in "Here We Go Round the Mulberry Bush," a classic children's circle game with choreography. In the nursery rhyme, concepts of literariness and musicality converge. All of these activities, along with reading, or being read to, are integral to the transmission of the rhymes. Indeed, Barney and Friends bases most of its songs on nursery rhymes and their tunes, constituting yet another way in which nursery songs are not only transmitted but also transformed in repetition. "Yankee Doodle" provides the tune for the show's theme song, and "This Old Man" becomes the show's other theme, "I Love You," which is sung at the end of the episode. This method of setting new words to an existing tune, contrafactum, is core practice of children's music by children and the adults who collaborate with them.
Friday, March 26, 2021
|Kate Greenaway, "Ring-a-ring-a-roses," Mother Goose (1881)|
Ring around the rosie
A pocket full of posies
We all fall down.
It’s a strikingly simple game. You hold hands and move in a circle till you get to the part about falling down, and you fall down. Then you get up and do it again. I’ve hardly ever seen any additional verses or accounts of the game being any more complicated. You just keep repeating it for the sheer simple pleasure of it. There's no story (it's not about the plague), and the main appeal seems to be the fun of spinning and falling (the dizzying kind of play Roger Caillois called ilinx). In some historical accounts, the last person to fall or squat becomes the “rose tree” and stands in the center of the circle for the next round. There’s at least one account of it being used by young children in the US as a kissing game. I wonder if this suggests some kind of connection to play party games that nineteenth-century adolescents played as outlets for flirtation and courtship.
The tune currently most associated with the rhyme in the United States is an iteration of what Patricia Sheehan Campbell has called the children’s “ur-song,” famously sung as “nana nana boo boo!”
It first appeared in print in Kate Greenaway’s Mother Goose; or, the Old Nursery Rhymes (1881).
Wednesday, March 24, 2021
The Fisher-Price Change-a-Record Music Box was first released in 1971. It includes 5 double-sided toy records in different colors with a total of ten songs. These are kept in a storage compartment in the back of the record player. Like so many musical toys, it has a handle for portability. I'm still trying to figure out what it means for a music box to pretend to be a record player. Is this a practice record player for very young children who are not yet able or allowed to use a real one, or is it a toy in its own right with pleasures specific to its form?